Showing posts with label fields. Show all posts
Showing posts with label fields. Show all posts

Tuesday, November 19, 2013

Gold and Blue

Some time ago I bought a large number of handmade cotton rag paper with the intent of using it for pastels.  It has an interesting texture, wonderfully torn edges and comes in 25 colors.  When I got caught up in oil painting this spring, the paper was forgotten.  It sat neglected in a drawer for many months until a studio clean up this summer brought it back to light.

At the time, the winter wheat was ripening and the contrast of golden yellow with bright blue skies was irresistible and this paper seemed perfect for it.  There are two of them right now, and since they seem to make a pair I mounted them together on a piece of matboard to show of the edges.  Both are currently available in my etsy shop.

Top: Through the Fields 8 1/2x11 pastel, copyright 2013
Bottom: Turning to Gold 8 1/2x11 pastel, copyright 2013

Sunday, November 3, 2013

Back in the Saddle

My blog has been ignored lately, and for that I apologize.  It has been a crazy six months as I have a tendency to overcommit myself to non-art.  I've also been focusing on my Facebook page, since I am often on there anyway talking with geographically scattered friends and relatives.  And while Facebook has been attracting a lot of views, this blog seems to be attracting mostly spam.  But Facebook has its limitations; the biggest one being that it is difficult to "follow" if you are not on Facebook.  But I'm willing to try again for those loyal few who are legitimately following this blog and who justifiably have a dislike for social media.

Let's start with some more recent pastels, and then I'll work backwards a bit, interspersed with new works as they come along.

It's common for pastelists to mat their work, which means we often have scraps and bits of mat board just sitting around in a pile.  Another artist whose blog I follow, Karen Margulis, has said that she often uses scraps for quick studies and sketches, so I decided to give that a try.  I had two long narrow pieces in a warm dark grey that would work for panoramic scenes.  Here are the results:

Dormant 5x14 pastel, copyright 2013

End of Summer 6x16 pastel, copyright 2013

Turns out, this shape suits me quite well!  They ended up more as finished pieces than sketches but I am quite pleased with the results.  I'll admit to giving myself a little pat on the back for the snow scene in particular.  It can be a bit of a challenge to work out the composition on unusually shaped pieces, so I played around with cropping the reference photos first, then sketched them in charcoal and dark pastel until I was happy.  After that they almost painted themselves.

The Dayton Society of Painters and Sculptors has an annual invitational for new members each December, I've decided that the snow scene will be one of my entries.  The next challenge will be getting a custom frame!

Saturday, January 12, 2013

Gone but not forgotten

Red Barn, Winter 6x6 oil, copyright 2012

Thanks to rain and above normal temperatures this week, our snow is completely gone.  I did manage to get quite a few reference photos though and am working my way through them.   Snow can be rather challenging to paint.  The brain tells you that it is white, but the eyes see blues and purples in the shadows, yellows and pinks and oranges in the light.  It can be tricky to find the right balance between what you think you know and what you think you are seeing.

This particular painting was the last one I did last year.  It is loosely based on a neighbor's barn, one that can be seen from our house.  

Tuesday, December 11, 2012

Fresh eyes

Breaking Through the Clouds 9x12 pastel, copyright 2012

Sometime working in a home studio is a bit isolating.  Being surrounded by fellow artists can offer unexpected insights as well as lively discussion on color theory, perspective, art history... all the technical details of what goes into a painting.  But sometime the technicalities and techniques can bog you down, especially when the only insight you really need is, does it look right?

Despite his protestations of "I'm not an artist", I have managed to convince my husband that his insights are quite helpful.  With this painting, he pointed out that it looked much better when the large, closer tree was more defined.  There are reasons for this having to do with perspective and line and depth; the simple truth is, he was right and it does look better.  Sometimes all it takes is fresh eyes.