Starting to get it

Rain Moving Across the Mountains,  5 1/2x8 pastel, copyright 2012

So this is how you paint mountains!  I feel like I'm starting to get the hang of it now.  A strong contrast between light and shadow seems to be lot of the trick, at least if you really want the mountains to pop forward dramatically.  A bit more care in defining the highlighted snow helps.  And perhaps the much darker color of the paper makes a difference too, as I felt like I was using the color rather than trying to cover it up.

The most difficult part of this one was the foreground lake, which looked more like ice and snow than water.  It took a while, but I finally figured out that it was too light - lighter than the sky in fact, something which is generally only true for snow.  Painting choppy waters still eludes me a bit, though contrary to my pervious post I'm back to enjoying the smaller format.  Obviously I have yet to embrace the idea that these should be studies rather than finished paintings, but I just can't help myself, especially when it comes to painting the sky!

By the way, I'm still in Grand Teton National Park for this one.  If you ever find yourself in Yellowstone or Jackson Hole, it's worth a day trip to check out this park.  The mountains are amazingly picturesque and there are many lakes and rivers to reflect their images.  Not surprisingly, there are a number of plein air events and we spotted a few artists working away to capture a little piece of the grandeur.  I'd love to be able to join them someday.

Still learning

Across the Valley,  5 1/2 x 8 pastel, copyright 2012

I'm still working out how to paint mountains and create a sense of space with this one.  The middle ground aspens seem disproportionally small, though it might be the foreground sagebrush that is the problem.  It isn't detailed enough, which somehow makes it appear larger.  At least the mountains are bit better.  It's hard to decide how much detail they need, though perhaps a bit more shadow would help.  It was rather overcast and dull when this reference photo was taken, which doesn't help in creating a bit of drama.

By this time I'm starting to get a bit frustrated with the smaller scale of these paintings.  They are not intended to be "finished" pieces and I need to get past that frustration and have a mind set that they are only studies meant to give a general impression of the place.

Judging distance

Beyond the Aspen, 5 1/2 x 8 pastel, copyright 2012

Staying in Grand Teton National Park, this is from a photograph was taken a short distance from the first one, just the opposite end of the same parking area.  All the trails here were roped off due to "wildlife activity", i.e. black bears with cubs.  We didn't see any of them.  

Because this one was a bit more complicated, I gave myself 30 minutes on the timer.  The greens are more appropriate, not so bright and varied.  Getting a sense of distance was the challenge here.  In Ohio one can typically see a few miles at most due to the rolling hills and trees, so it takes a big adjustment to create a big space.  Generally speaking, duller, cooler (blue) colors show distance and brighter, warmer (red/yellow) colors are used for closer objects.  The cooler grey-green of the ever present sagebrush in front presents a bit of a problem, but reddish purples in the shadows helps.

Mountains have their own set of challenges.  They dominate the landscape, yet are often far in the distance.  Deciding how much they should dominate a painting dictates both color choices and the amount of detail needed.  Undoubtably it takes a bit of practice to get the balance right.

Looking back through my old paintings before posting this one, I've discovered that this is the first time I have attempted to paint a snow capped mountain.

Learning as I go

Through the Aspen 51/2x8 pastel, copyright 2012

Since I wasn't able to try out my plein air set up while on vacation, I've decided to fill up my little pastel  book with studies based on photographs.  After realizing that plein air wasn't going to be possible I took many, many photos with the specific goal of using them for reference, including this one from Grand Teton National Park just south of Yellowstone.  So far I've painted five of these, learning and adjusting to the new landscapes as I work.  A new one will be posted every few days.

Using only the pastels that had been packed for the trip, a timer was set to 20 minutes to imitate the plein air experience.  Very quickly I discovered that I had packed the wrong greens.  Midwestern greens are bright, saturated and varied, while Rocky Mountain greens are far less intense.  This little aspen groove was brighter than the dominant ponderosa pines but certainly not equal to an Ohio forest.   Also, a much higher elevation means more intense sunlight and deeper shadows.  With some adjustments this one should work well as a larger piece.